The Complete List / Antique Instruments

We are pleased to offer the following antique keyboard instruments for sale, backed by over 32 years of activity in the early keyboard field. With each instrument we will attempt to provide you with as detailed a provenance as possible.

Our current offerings:


#3227 CT
Broadwood square piano, 1839; serial number 48763. Signed by shop worker"JB" and "J Bell" in a number of places. FF - f'''' 73 notes; The piano is in excellent original (not playing) condition.  Some restoration work done to the action by Charles Rudig. The piano has its original hammers and strings and could easily be restored to playing condition. One broken string one missing tuning pin. Mahogany case with its original finish in very good condition.  $1500 / offer.
American Empire stool, c. 1840 in rosewood veneer, excellent condition, available separately for $300


#2961 (shown above)
MA Sold
Square Piano by Alpheus Babcock, Boston about 1826, # 215; Surveyed by Darcy Kuronen, Museum of Fine Arts, Boston; .FF - c'''', 68 notes; ebony / ivory keyboard; brass plate on nameboard: "Made by/A.Babcock /for R Mackay/Boston". Repair work by Tim Hamilton, this is a beautiful antique instrument with a lovely sound. Owned and maintained by a professional musician. Extensive documentation available. $4000


#2326 NY (Antique case with modern action) Sold
Challis single manual harpsichord, unusual large compass of 6 octaves, 73 notes, FF - f''''. 8', 8', buff with three pedals, non transposing. Early nineteenth century English case of fine hardwood in excellent condition with handsome late Georgian style legs. Modern action, installed by Challis circa 1970. 77" x 44 1/2". $3500 / OBO


#3059 SC (shown above)

Square piano by Christopher Ganer, London, circa 1785. FF - f''', 61 notes. A very nicely built early square piano; very little case distortion with a well preserved keyboard and completely original hammers, dampers, soundboard and tuning pins. Mahogany case with darker inlaid stringing. Keywell contains a clear inscription from this well known English maker; completely restrung in soft (Rose) wire. The stand is not original, but is very appropriate to the instrument. Includes a removable secondary soundboard which makes a slight but noticeable difference in the tone. Includes tuning and maintenance guide in PDF format. Further technical details available on request. $12,500


#2996 TX
(shown above) Sold
Antique clavichord, probably Austrian / German, C - f''', 54 notes, double fretted beginning at d#; described in the Morris Steinert Collection catalog as follows: "No.3. - Clavichord, 4 1/2 octaves. 'Gebunden.' Case in rococo style. In white enamel and gold, latter part of the 17th century..." The lid painting and stand are 19th century additions; detail of soundboard. The instrument seems typical of an 18th century northern European instrument; detail of case bottom; reverse keyboard of ebony and ivory, carved key levers. $14,000


#3074 MT
(shown above)
John Broadwood & Sons grand piano, 1856, #18807; 6 octaves, CC- c'''', beautiful rosewood case, nicely turned and detailed legs; 8' long x 52.5" wide; recent regulation includes detail of action; triple strung in the alto and treble; two pedals, sostenuto and una corda. $14,900 OBO


#3296 OH
AUDIO 1
AUDIO 2
AUDIO 3
AUDIO 4

Antique John Broadwood square fortepiano, London, 1816. 5 1/2 octaves, FF - c'''' (68 notes), with Sordino stop. Case of English black walnut, Honduras mahogonay, rosewood and satinwood with brass inlays. New French polish finish on case; the instrument is in perfect playing condition, completely restored by Phillip Cucchiara, 1997-98. Antique velvet bench included. $15,000


#3267 MA AUDIO
Broadwood parlor grand; AAA-a’’’’ 85 notes, 7 octaves plus one; serial #5418, described by Broadwood as a “Drawing Room Grand Pianoforte in a Rosewood case,” completed in 1865 in their “Horseferry Road workshops, Westminster, London.” The instrument has been professionally restored by Tim Hamilton. Documentation from John Broadwood & Sons is available. Approx. 94” long; in excellent playing condition and has been played by professional pianists at house concerts; tuned by Tim Hamilton in 2011. The instrument is not in need of any repairs or adjustments at this time. $16,000


#2935 CAN (shown above)

Concert Grand by Erard, London, 1867. This Victorian-period piano is a fine antique in superb condition inside and out; Brazilian rosewood, maple veneered keywell, blacked composite cast-iron frame; keyboard compass is AAA - a'''', 85 notes; scrupulous repairs and adjustments over the past fifteen years from distinguished piano restorer Marinus van Prattenburg, including new correctly-sized, English custom-made hammer heads, new stringing and re-finishing in the 1990's. Erard action is all original, a rare example of the historically important double-escapement action pioneered by this maker; straight-strung, with a cast iron plate mortised into the case, giving it a unique period sound and appearance. Case interior in figured maple, beautifully turned legs and carved details; ivory keyboard, original tuning pins, very stable. $18,000 Canadian.


#3284 HCH
Double by Arnold Dolmetsch for Chickering, Boston. Instrument #16, built 1907 . 8', 8', 4', peau de buffle, buff stop on either 8'; FF - f''' 61 notes, non transposing. Length 94", width 38". One of only 13 doubles that Dolmetsch built during his association with Chickering, this instrument has been carefully restored to playing condition and has also been given a tasteful and restrained cosmetic restoration. This is a beautiful example of Arnold Dometsch’s groundbreaking work, for the collector of rare historical instruments. $25,000


#3101 CAN (shown above)
John Broadwood & Sons grand piano, 1847. 6 1/2 octaves, CC - g"". Ivory keyboard, eighty notes. Beautiful sound. Excellent controllable action. Fully restored in 1994 with authentic materials. Brazilian Rosewood case with original French polish finish. Elaborate gadroon edging around the lid, and carvings at the keyboard sides and legs. Often referred to as the Chopin Model, this is a copy of the piano which the Broadwood company loaned to Chopin when he visited London in 1848, now on permanent loan to the Cobbe Collection of Musical Instruments in the UK. Length: 97" or 2.46 mtr. Serial # 16435, AD 1847. Excellent overall condition. $ 27,000 CAN


#2887 VA (shown above) AUDIO
Fortepiano by Erard, London, 1852, serial #2995; 7 octaves, 85 notes; tuned to A=435; Ivory and ebony keys in excellent condition; Brazilian rosewood case very good condition. 8” 4’ long, restored by Ed Swenson in 2000. Restoration included restoration of original French polish, restringing with modern tuning pins, string plate and braces restored, soundboard cleaned and restored, original hammers recovered by Desfougeres in Paris, original knuckles releathered also by Desfougeres. This instrument has a rich, clear tone and a responsive and reliable action; detail of pedal lyre and leg. CD recording available. $35,000


#2571 NC
(shown above)
Antique fortepiano labeled "Richter & Bechman, Copenhavn" built circa 1815-1820. 73 notes FF-f'''' Probably an anonymous Viennese export piano furnished with the dealer's name, this is an exquisite example, in mint condition of the Biedermeier / early Empire style. Case of mahagony with ornate engraved inlays in boxwood. Built for a Southern Swedish noble family. Naturals of cow bone, sharps with tops of ebony on fruitwood. Triple strung throughout, with una corda (goes to one string), bassoon FF-c, single/double moderator, damper and Janissary action, operated by four pedals and two knee levers. This instrument has hardly been touched or used. Alterations: 19 modern bass tuning pins. Several spots of damage to the veneer. Original music desk included. $47,500.


Previous Offerings now sold:

English Bentside Spinet, 1731 by Krickhof

English Bentside Spinet by Keene n.d.

Semi-grand piano, 1839 by John Broadwood.

Italian Harpsichord, maker unknown, circa 1650 - 1720

Bentside Spinet by Longman & Broderip, 1785

Single manual harpsichord by Jacob Kirkman 1760

Single manual harpsichord by Vincenzo Sodi 1780

#2063 MA - Fortepiano by John Broadwood, 1800.

#2235 TX - Square piano by John Broadwood, 1804

#2556 Fortepiano my John Broadwood, 1795

#2857 Fortepiano by Carlo Arnoldi, late 1780's