DE
CLAVICORDIO II $105
Proceedings
of the International Clavichord Symposium–Magnano, 21-23 September
1995
Edited by Bernard Brauchli, Susan Brauchli, Alberto Galazzo–274 pages+xii,
22 illustrations
CONTENTS
Benedikt Claas ,The Clavichord–Spiritual Foundation of Musical
Instruments
Jane Johnson, The Clavichord and Sixteenth-Century Iberian Music
for Keyboard, Harp, or Vihuela
Luigi Ferdinando Tagliavini, A Curious Eighteenth-Century Clavichord
Bohuslav Cizek, Clavichords in the Czeck Lands
Joel Speerstra, Towards an Identification of the Clavichord Repertoire
among C.P.E. Bach's Solo Keyboard Music: Some Preliminary Conclusions
Beverly Woodward, The Probestucke and C.P.E. Bach's Versuch uber
die wahre Art das Clavier zu spielen .
Bernard Brauchli and Jorg Gobeli, Restoration of an Eighteenth-Century
German Clavichord by Egidius Heyne (1781)
Koen Vermeij, Eighteenth-Century Lovers of the Clavichord: Which
Makers did They Prefer?
Grant O'Brien, The Clavichord by G.C. Rackwitz (Stockholm, 1796),
a Preliminary Study with a View to Possible Restoration
Thomas Friedemann Steiner, European Eighteenth-Century Scientists
and the Clavichord
Paul Simmonds, An Introductory Survey of the Keyboard Works of
Ernst Wilhelm Wolf
John Koster, The "Still, Small Voice" and the Exploration
of Inner Musical Space
Christoper Hogwood, A Repertoire for the Clavichord (Including
a Brief History of Bebung )
Menno van Delft, The Clavichord Composer Johann Gottfried Muthel–A
Survey
Beverly J. Sing, The Clavichord in the Musical Press of the Nineteenth
Century
Derek Adlam, Arts and Crafts and the Clavichord, The Revival of
Early Instrument Building in England
Richard Troeger, The Dolmetsch / Chickering Clavichords and their
Model
Bruce W. Glenny, Herbert Howells: Aspects of Twentieth -Century
English Revivalism as Seen in "Lambert's Clavichord"
John Barnes, The Parallel between the Harpsichord and Clavichord
Revivals in the Twentieth Century
Harm Vellguth, A Simple Stringing Method or An Ancient Craftsman's
Trick
Bernard Brauchli, Keyboard Works of Franz Seydelmann (1748-1806)
Jean-Jacques Dunki, Tetrapteron, A Keyboard Quartet: The Difficulty
of Integrating the Sounds of Piano, Harpsichord, Celesta and Clavichord
Alan Caro, The Keybase Project: A Proposal for a Standard Historic
Keyboard Archiving Database
Alberto Galazzo, Index of Names
DE
CLAVICORDIO III $105
Proceedings of the International Clavichord Symposium Ð Magnano, 24-28
September 1997
Edited by Bernard Brauchli, Susan Brauchli, Alberto Galazzo Ð 296 pages+viii,
13 colour illustrations, 18 b & w illustrations
CONTENTS
Darryl Martin, The Van Hemmesen Clavichord and the Early Flemish Clavichord
School
Howard Schott, Froberger and the Clavichord
Bernard Brauchli, The Clavichord on the Iberian Peninsula
Koen Vermeij, In Praise of the Five-Octave Fretted Clavichord
Paul Simmonds, Abstossen, Schleifen and Das Algemeine Fortgehen–Thoughts
on Clavichord Touch
Peter Bavington, Keylever, Tangent and String–A Preliminary Analysis
of Clavichord Touch and Action
Derek Adlam, Clavichord Touch-Mechanics and Music
Joel Speerstra, The Pedal Clavichord as a Pedagogical Tool for Organists
Alicija Knast, The 1754 Clavichord of J.A. Haas in the National Museum
of Poznan, Poland
Peeka Vapaavuori, Historical Clavichords in Finland
Giorgio Campanaro, A Survey of Sturm und Drang
Owen Jander, The Clavichord as Metaphor in late Eighteenth-Century
Portraiture
Christopher Hogwood, "The Inconstant and Original Johann Wilhelm
Hässler"–His 1786 Autobiography and a Thematic Catalogue
of his Keyboard Works to 1790
Richard Maunder, Viennese Clavichords and Their Makers
John Barnes, Haydn's Clavichord
Sally Fortino, Woman Composers Associated with Joseph Haydn–A
Short Introduction to Some "New"Keyboard Repertoire
Richard Fuller, Affekt and Rhetorik in the Clavier Music of C.P.E.
Bach and Suggested Applications in the Music of Joseph Haydn
Jean-Jacques Dunki, Composing "with"
the Clavichord–A Contemporary Experience
Christine Hedinger, Kurt Hessenberg's "Zehn Kleine Präludien",
Op. 35, for Piano or Clavichord
Bernard Brauchli, Addenda II to Bernard Brauchli's 'A Comprehensive
List of Iconographical Documents on the Clavichord' De Clavicordio [Magnano
Proceedings I] (Pages 81-92)
Alberto Galazzo, Index of Names
DE
CLAVICORDIO IV $105
Proceedings
of the International Clavichord Symposium Magnano, 8-11 September 1999
Edited by Bernard
Brauchli, Susan Brauchli, Alberto Galazzo Published by Musica Antica a
Magnano 225 pages /34 b & w illustrations
CONTENTS
Annette Richards, C. P. E. Bach's "Farewell" and the Speaking Clavichord
David Schulenberg, When Did the Clavichord Become C. P. E. Bach's
Favourite Instrument? An Inquiry into Expression, Style and Medium in
Eighteenth-Century Keyboard Music
Christopher Hogwood, "Our Old Great Favourite" Burney, Bach and
the Bachists
Mary Sue Morrow, The Clavichord Resounds, or the Wider Influence
of C. P. E. Bach's Empfindsamer Keyboard Style
Darrell Berg, C. P. E. Bach's Songs for Clavichord
Alfons Huber and Ana Savarain de Graf, A Clavichord from Peru in
the Period of the Imperial Vice-Royalty
Darryl Martin, Tangent Layout and Triple Fretted Clavichord Tuning
Laurence Libin and Sabine K. Klaus, Two Spanish Clavichords in
Private U. S. Collections
Eva Helenius-Oberg, The Swedish Clavichord around 1800
Jenny Nex and Lance Whitehead, A Preliminary Investigation into
the Stringing of Swedish Clavichords
Joel Speerstra, Documenting a Clavichord by Lindholm and Soderstrom
and a Brief History of Swedish Measurements
Derek Adlam, Conservation Ethics
Peter Bavington, A Maker's Secrets Revealed: Restoration of a 1784
Clavichord by C. G. Hoffmann
Stewart Pollens, A Pantalonclavichord by C. Kintzing of Neuwied,
1763
Bernard Brauchli, Addenda and Corrigenda III to Bernard Brauchli's
"Comprehensive List of Iconographical Documents on the Clavichord" De
Clavicordio [Magnano Proceedings I] (Pages 81-92)
DE
CLAVICORDIO V $105
Proceedings
of the International Clavichord Symposium, Magnano Italy, 2002
Bernard Brauchli,
Alberto Galazzo, Ivan Moody ,editors
CONTENTS
Laurence Libin, Two 'Travelling' Clavichords by Unknown Makers
Alfons Huber, Mozart's 'Reiseclavier'
Michael Zapf,
Handing down the Tradition: the Survival of Bach's Finger Technique in
an Obscure Nineteenth-Century Clavier Tutor
Bernard Brauchli, The Clavichord as the Key to the Study of all
other Keyboard Instruments
Johann Sonnleitner, The Clavichord in the Expanded Tone System
Florian Sonnleitner, The Klavikantal A new Type of Clavichord in
Development
Jorg Gobeli, A Diagram for Visualization and Interpretation of
the Intervals of Historical Temperaments
Derek Adlam, Missing Instruments
Grant O'Brien, The Case, Stringing and Fretting of the 1543 Venetian
Clavichord by Dominicus Pisaurensis
Paul Simmonds, Embellished Repeats in Late Eighteenth-Century Clavichord
Repertoire
John Whitelaw, The Singing Hand
Eva Helenius-Öberg, Musikaliskt Tidsfordrif as a Mirror of
Clavichord Culture in Sweden
Pamela Ruiter-Feenstra, Roman and Zellbell: Secular and Sacred
Contexts for Improvisation on the Swedish Clavichord
Joel Speerstra, Two Mid-Eighteenth-Century Swedish Clavichords:
a Professional Instrument by an Amateur Builder and an Amateur Instrument
by a Professional One
Peter Bavington, A Clavichord by Johann David Schiedmayer
Jenny Nex and Lance Whitehead, Three Eighteenth-Century Schools
of Clavichord Building: a Comparative Study
Dorthe Falcon Moller, The Clavichord in Denmark–Builders and
Instruments
Christopher Hogwood, The Copenhagen Connection: Resources for Clavichord
Players in Eighteenth-Century Denmark
Bernard Brauchli, A Comprehensive List of Iconographical Documents
on the Clavichord
Alberto Galazzo, Cumulative Index of Names (Volumes I–V)
De
Clavicordio VI $105
Now in stock
Proceedings
of the International Clavichord Symposium - Magnano, 10-13 September 2003
Edited by Bernard
Brauchli, Alberto Galazzo, Ivan Moody. 200
pages, 33 black & white illustrations
CONTENTS
Alfons Huber, Iron Scale or Brass Scale– When Were These Concepts
First Used?
Lothar Bemmann,
The Decline and Revival of the Clavichord
Lorenz Gadient, The Twofold Usage of the Term 'Second' in Musical
Tempo Measurement from the Seventeenth to the Eighteenth Century
Gregory Crowell, Every Player's First Grammatica : Reflections
on Clavichord Technique in Context
Maria Erdman, 'The Tablature of Music or Musical Practice' by Jan
Alexander Gorczyn: a Source for Polish Clavichord Practice in the Seventeenth
Century
Luisa Morales, Clavichords and Harpsichords in Cloisters: a New
Approach to the Eighteenth-Century Keyboard Repertoire in Spanish Convents
Dorthe Falcon-Moller, Magnus Christensen, a Danish Builder of Clavichords
from the Mid-Eighteenth Century
Eva Helenius-Öberg, The Clavichord in Sweden before 1700 Thomas
Gluck, Rack Division–The Fingerprint of Historical Fretted Clavichords
Emi Saeki, Jesuit Missionaries and the Clavichord in the Orient
Andreas Hermert, A Seventeenth-Century Clavichord from Poland
Uta Henning, The Care of the Rare–First-Aid in Musical Iconography
Joan Benson, Clavichord Perspectives from Goethe to Pound
Derek Adlam, An English Repertoire for a Sixteenth-Century Clavichord
Christopher Hogwood, The Clavichord and its Repertoire in France
and England before 1700–A Summary and a New Manuscript Source
Christopher Hogwood And Bernard Brauchli ,The Clavichord in Britain
and France: A Selection of Documentary References before 1700
Bernard Brauchli, Addenda and Corrigenda to Bernard Brauchli's
'A Comprehensive List of Iconographical Documents on the Clavichord',
De Clavicordio V [Magnano Proceedings 2001], pages 273–295
Alberto Galazzo, Index of Names
De
Clavicordio VII $105
Now in stock
Proceedings of the International Clavichord
Symposium, Magnano 2006.
Edited by Bernard Brauchli, P. Wardman, Alberto Galazzo. 277 pages, 34
black & white illustrations, 53 color illustrations.
Contents:
Ute Henning, Clavichord Reception in Russia: With Special
Reference to the Bach Family
Juan Luis García Orozco and Pablo Padilla, Perspectives
on the Clavichord in New Spain
Juan Luis García Orozco and Pablo Padilla, Mexican
Clavichords
Grant O'Brien, The Lindholm Clavichord, Stockholm 1791
Eva Helenius, Aspects of the Clavichord in Sweden in
the Nineteenth Century
David Ledbetter, German and Swedish Keyboard Arrangements
of Seventeenth-Century French Lute Music: A Repertory for Fretted Clavichord?
Paul Bavington, Comparison of Two Eighteenth-Century
North German Clavichords
Alfons Huber, Characteristics of Some Viennese Clavichords
in the Second Half of the Eighteenth Century
Laurence Libin, New Insights into Tannenberg's Clavichords
Luc Breton, Pseudo-Amplification: A Physical Principle
of Stringed Instruments Exemplified in the Lute
Christopher D'Allessandro, Brian F.G. Katz and François
Boudet, On the Acoustics of the Clavichord
Gregory Crowell, The Clavichord as a Plucked String Instrument
Christopher Hogwood, The Keyboard Music of John Dowland
Ilton Wjuniski, The Style Luthé in the Harpsichord
Works of François Couperin and some Aspects of Their Performance
on the Clavichord
Maria Erdman, The Infiltration of Lute Repertoire into
Keyboard Music in Poland in the Sixteenth Century
Lothar Bemmann, The Clavichord in Films
Bernard Brauchli, Addenda and Corrigenda to Bernard Brauchli's
'A Comprehensive List of Iconographic Documents on the Clavichord'
Alberto Galazzo, Index of Names, Aspects of the Clavichord
in Sweden in the Nineteenth Century
De
Clavicordio VIII $105
Now in stock
Uta Henning
Arnold Dolmetsch and his Bach Clavichord: an Iconographical and Literary
Approach
Peter Bavington
Arnold Dolmetsch's Clavichord Making in the Years Before 1914
Cornelia Ullrich-Eberius and Wolfram Ullrich
Macario Santiago Kastner in the Memory of his Family
Joan Benson
Studying with Macario Kastner a Half-Century Ago
Bernard Brauchli
Interview with Professor Macario Santiago Kastner (Lisbon, July 1984)
Bernard Brauchli
Macario Santiago Kastner (1908-1992): Bibliography
Gerhard Doderer
The Clavichord in Portugal after 1800
Ilton Wjuniski
Musical Manuscript MM.41 at the Library of Oporto: Performing Intricate
Polyphonic Texture on the Clavichord as Compared to the Organ and to the
Harpsichord
Alfons Huber
Fingerboards of Sixteenth-Century Citterns as a Primary Source for Temperaments
of (other) Fretted Instruments
Dorothea Demel
The Clavichord in the Encyclopaedia: Eighteenth-Century Musical St. Petersburg
(Volumes I-III and VII)
Derek Adlam
Clavichords in Georgian England: Handel, Mary Delany & the Granville
Family
Simon Field
Building a Database of Early Keyboard Instruments: Difficulties and Opportunities
Lothar Bemmann
Wie Man Ein Cor Thonig Clavicortium Beziehen Sol - The Organ Maker Johannes
Creuzburg (1686-1738) and his Workshop Book
Michael Tsalka
A Closer Look at Daniel Gottlob Türk's Keyboard Sonatas
HansErik Svensson
An Analysis of Construction Methods Used by Swedish Clavichord Builders
Eva Helenius
Gottfried Silbermann and the Swedish Clavichord Tradition
Christophe d'Alessandro, Charles Besnainou and Luc
Acoustic Portraits of Four Clavichords: Tangent Velocities, Loudness and
Decay Times
Pierre Verbeek
The Israel Gellinger 1670 Clavichord
Bernard Brauchli
Addenda and Corrigenda to Bernard Brauchli's 'A Comprehensive List of
Iconographical Documents on the Clavichord', De Clavichordio V [Magnano
Proceedings 2001], Pages 273-295
Alberto Galazzo
Index of Names
De
Clavicordio IX $105
Now in stock
Peter Bavington
Clavichords made in Latin America: updates and new discoveries
Thomas Donahue
Safety factors for replicas of the 1784 Hubert fretted clavichord in Edinburgh
Eva Helenius
The reception of hammer instruments into Swedish clavichord culture —
from clavichord to square piano
Paul Simmonds
A pantalon clavichord from the Friderici stable?
Lothar Bemmann
From clavichord to fortepiano — A survey of builders making both
instruments
Dorothea Demel
« … Silbermann again»
Christophe d’Alessandro
The acoustics of tangent-string interaction in the clavichord compared
to hammer-string interaction in the fortepiano
HansErik Svensson
Clavichords and squares from Pehr Lindholm’s workshop — a
comparison
Ilton Wjuniski
The twelve sonatas by Friedrich Wilhelm Rust published by Vincent d’Indy
and their performance on the clavichord
Michael Günther
‘Clavier’ — clavichord or fortepiano
Barend Kraal
A square piano by J. P. Hinrichs (Hamburg 1804) with a curious half-octave
ravalement (1839)
Koen Vermeij
Christian Gottlob Hubert’s workshop and the Tafelklavier
Norbert Broggini
Haydn’s keyboard music in Spanish and Latin American sources
Derek Adlam
Architecture parlante — Joseph Haydn, classical sonata form as a
fine art of the Enlightenment, and the role of the clavichord
Bernard Brauchli
Addenda and corrigenda to Bernard Brauchli's ‘a comprehensive list
of iconographical documents on the clavichord’, De Clavichordio
V [Magnano Proceedings 2001], pages 273-295
Alberto Galazzo
Index of names
